This haunting, wildly original novel explores the lives of several characters entwined by The Wizard of Oz--both the novel written by L. Frank Baum and the strangely resonant 1939 film. Was traverses the American landscape to reveal how the human imagination transcends the bleakest circumstance.

光に照らされ君といたあの時間を、ひとは”闇”と呼ぶ――。かつてジュニアアイドルの活動をしていた雪那。少年漫画の夢小説にハマり、名前を空欄のまま読んでいる。第169回芥川賞候補作。

In this lucid and compelling analysis of Lacan's twenty-third seminar, “Le Sinthome,” Roberto Harari points to new psychoanalytic pathways that lead beyond Freudian oedipal dynamics. Lacan's seminar measures the boundaries between creativity and neurosis. We learn how poetry and wordplay may offer alternatives to neurotic pain and even psychotic delusions, with Joyce as our su...(展开全部)

"I'm sorry, but...I can't remember your name." Even the boldest corporate leaders are terrified of forgetting an important name at a crucial moment. They know that forgetting a name can cost them an important deal -- and that remembering it can cement a lifelong business relationship. That's why they have studied with Benjamin Levy, whose astounding memory feats have made him o...(展开全部)

"I'm sorry, but...I can't remember your name." Even the boldest corporate leaders are terrified of forgetting an important name at a crucial moment. They know that forgetting a name can cost them an important deal -- and that remembering it can cement a lifelong business relationship. That's why they have studied with Benjamin Levy, whose astounding memory feats have made him o...(展开全部)

In this lucid and compelling analysis of Lacan's twenty-third seminar, “Le Sinthome,” Roberto Harari points to new psychoanalytic pathways that lead beyond Freudian oedipal dynamics. Lacan's seminar measures the boundaries between creativity and neurosis. We learn how poetry and wordplay may offer alternatives to neurotic pain and even psychotic delusions, with Joyce as our su...(展开全部)

Als Althusser 1978 die alte, von Kant und Lenin geerbte Frage Was tun? aufgriff, sieht er sich nicht nur mit einer philosophischen Problemstellung konfrontiert: Er begreift die Frage in erster Linie als ein praktisches Problem, das sich nur ausgehend von einer konkreten yse der konkreten Situation lösen lässt. Um eine solche yse vorzubereiten, setzt sich Althusser mit dem herrs...(展开全部)

新海诚，日本动画导演，1973年生于日本长野县。2002年，凭着几乎独立制作的短篇动画《星之声》得到广泛关注，之后陆续推出了《云之彼端，约定的地方》《秒速五厘米》《追逐繁星的孩子》《言叶之庭》，在日本国内乃至海外获得诸多荣誉。2016年上映的《你的名字。》创下历史性的大热潮。2019年11月热映《天气之子》同名电影日本票房突破120亿日元，继《你的名字。》之后又一神作。亲自撰写的电影改编小说《秒速五厘米》《言叶之庭》《你的名字。》《天气之子》也得到极高的评价。

新海诚，日本动画导演，1973年生于日本长野县。2002年，凭着几乎独立制作的短篇动画《星之声》得到广泛关注，之后陆续推出了《云之彼端，约定的地方》《秒速五厘米》《追逐繁星的孩子》《言叶之庭》，在日本国内乃至海外获得诸多荣誉。2016年上映的《你的名字。》创下历史性的大热潮。2019年11月热映《天气之子》同名电影日本票房突破120亿日元，继《你的名字。》之后又一神作。亲自撰写的电影改编小说《秒速五厘米》《言叶之庭》《你的名字。》《天气之子》也得到极高的评价。

“This is a beautiful love story, and an extraordinary story of loss. Say Her Name has a forensic honesty, a way of treating each detail, each moment, each emotion, with detailed and exact care. It also has a way of holding the reader, of moving between Brooklyn and Mexico City, capturing the essence of two worlds, capturing the essence of two people who were lucky enough to fal...(展开全部)